D’ette Nogle

Born 1974 in La Mirada, CA
Lives and works in Los Angeles, CA

Education

2000 MFA University of California, Los Angeles
1997   BA in Communications Chapman University, Orange, CA

Solo Exhibitions

2015
Egg, Chicago, IL
The Finley, Los Angeles, CA

2014
Clifton Benevento, Michael Clifton & Michael Benevento and D´Ette Nogle Present: Regressing to Mean, New York, NY
Los Angeles Contemporary Archive and D´Ette Nogle Present: Regressing to Mean (Off-Site Testing), Los Angeles Contemporary Archive, Los Angeles, CA

2012
Michael Clifton & Michael Benevento and D’Ette Nogle Present: Information from Two Sources, Clifton Benevento, New York, NY

2011
Reality/Relax, Parker Jones Gallery, Culver City, CA

2009
Suspended Projection, Room Gallery, University of California, Irvine, CA

2001
How Deep Is Your Love?, Los Angeles Contemporary Exhibitions, LA
After Wholes & A Sum of Parts, Guggenheim Gallery Project Room, Chapman University, Orange, CA

1998
Dear Joan, Plastica, Los Angeles, CA

Group Exhibitions

2016
Open Sesame, Lumber Room, Portland, OR (Upcoming May)
A Change of Heart, Hannah Hoffman, Los Angeles, CA (Upcoming June)

2015
EGG, Essex Street, New York, NY

2014
Tragedy Plus Time (off-site exhibition of Made in L.A. organized by Public Fiction), Public Fiction, Los Angeles, CA
And Yes, I Even Remember You., Aran Cravey Gallery, Los Angeles, CA

2013
Shangrila 2013:  Burrito Deluxe, curated by Steven Bankhead and Jesse Benson, Shangrila, Joshua Tree, CA

2012
IN/SITU,  EXPO Chicago, curated by Michel Ned Holte, Chicago, IL
Made In L.A. 2012, the Hammer Museum, Los Angeles, CA
She’s Not There, organized by Andrew Berardini and Dave Muller, Three Day Weekend at Public Fiction, Los Angeles, CA

2011
GREG WILKEN TORBJORN VEJVI LYNTON TALBOT CAULEEN SMITH SEACA (SOUTHEAST ASIAN COMMUNITY ALLIANCE) MARK ROEDER ANDREA ROBBINS AND MAX BECHER D’ETTE NOGLE DYLAN MARCUS BRIAN MANN TORY LOWITZ FRED LONIDIER AMY LAUGHLIN LISA LAPINSKI WILLIAM JONES DANIEL INGROFF KATIE HERZOG KEVIN HANLEY AARON GM ERIK FRYDENBORG RACHEL FOULLON TRAVIS FARMEN TOM ELLIS LUCY DODD MICHELE DI MENNA JESSE BENSON WILL BENEDICT MERWIN BELIN, Exhibition Design by Jesse Benson and Brian Mann, Las Cienegas Projects, Los Angeles, CA
3348 Hours of Sunshine, Clifton Benevento, New York, NY
Progression Minus Progress, Curated by Sarah Lehrer-Graiwer, Romer Young Gallery, San Francisco, CA

2010
Says I, Parker Jones Gallery, Culver City, CA
D’ark Garden, Collaborative project with Mark Roeder organized by Brooks Hudson Thomas, Specific Merchandise, Los Angeles, CA

2009
Delusionairium 4, Organized by Jesse Benson, Circus Gallery, Bonelli Contemporary, and David Salow Gallery, Los Angeles, CA

2004
Cool Intentions, Curated by Alex Israel, Sandroni Rey, Venice, CA

2002
A Show That Will Show That a Show Is Not Only a Show, curated by Jens Hoffman, The Project, Los Angeles, CA (collaborative project presented by “The Substitutes” with Melissa Longenecker)

2001
Sonsbeek 2001, curated by Jan Hoet, Arnhem, Netherlands
Present Sonsbeek 9, Museum Voor Moderne Kunst, Arnhem, Netherlands
Snow, curated by Jacob Rhodes, Practice Space, Los Angeles, CA
Forever Infinite, curated by Rebecca Carter, Black Dragon Society, Los Angeles, CA

2000
Not Coming, Projections: Intermission Images VII, curated by Catherine Lord, Side Street
Projects, Los Angeles, CA

1998
Caption, organized by Jessica Bronson, Three Day Weekend, Los Angeles, CA

Bibliography

2015
Mostafa Heddaya, “Around the World in 10 Booths at Frieze New York,” BlouinArtinfo Online, May 14
Anneliese Cooper, “EVOO Abounds at Frieze,” BlouinArtinfo Online, May 14
Alex Greenberger, “Zak Kitnick and D’Ette Nogle Bring Pure Olive Oil to Frieze”, Artnews, May 13

2014
Sharon Mizota, “Brief but potent memory: ‘And yes, I even remember you’ at Aran Cravey, L.A. Times, August 22
Alicia Eller, “In the Spirit of Summer Memories,” Hyperallergic, August 22″Regressing to Mean. D’Ette Nogle,” Cura, May 15
Brienne Walsh, “Staving off the Sophomore Slump: D’Ette Nogle at Clifton Benevento” Art in America online, May 12
Matteo Mottin, “Interview with D’Ette Nogle, ” ATP Diary, April 22
Andrew Russeth, “10 Thing to Do in New York’s Artworld Before April 20,” GalleristNY, April 14

2012
Andrew Russeth, “Back to the Beach,” New York Observer, December 11
Andrew Russeth, “D’Ette Nogle Does the Dougie,” Gallerist NY, December 7
Brienne Walsh, “D’Ette Nogle, Clifton Benevento,” Art in America, October 2012, p.177
Kyle Fitzpatrick, “Made in L.A.: D’Ette Nogle,” L.A. I’m Yours, May 8

2009
Lehrer-Graiwer, Sarah, “Suspended Projection,” Art Review, Issue 37, December, p. 125

2002
Cattelan, Maurizio, et. al., Charley 01, D.A.P./Distributed Art Publishers, New York

2001
Hoet, Jan and Dieter Roelstraete, Sonsbeek 9, exhibition catalogue, Arnhem, Netherlands: Stichting Sonsbeek, pp 15, 182-185, 301
Shamash, Diane, “Report from Holland: Nature, Faith and Commerce,” Art in America, December, pp 38-41

Lectures
Otis College of Art and Design, Westchester, CA, January 2012
Chapman University, Orange, CA, March 2001

June 23 – August 4 2012

Clifton Benevento is pleased to announce Michael Clifton & Michael Benevento and D’Ette Nogle present: Information from Two Sources, the New York solo debut of the Los Angeles based artist D’Ette Nogle. This exhibition features three single-channel videos and a set of photographic portfolios examining the temporal nature of art and commerce.

Entering the gallery, viewers encounter three looped videos featuring the artist as narrator: one serves to welcome viewers and the others present the artist reading and reciting texts from two different sources, an interview with actress Blake Lively taken from Elle magazine and financial advisor Porter Stansberry’s online video, The End of America.

The supposed authority of a “talking heads” aesthetic is confounded by the artist’s blank delivery.  The simultaneous performance of Stansberry’s doomsday predictions and Lively’s unfazed au fait of her social and monetary capital yields a quasi-discussion of seemingly unconnected but relevant discourse on our inevitable and immanent fiscal demise and a young starlet’s bankability.  The simultaneity of each video performance/playback allows the audio tracks of each to bleed into the other, ultimately coalescing into that of the artist while pointing to ways in which an artist or an artwork may enter the market in the form of an investment.

Associations of art and commerce are underscored further in Nogle’s portfolio offerings. Presented in two archives of color and black and white scanned images of the artist’s hair, these works serve as forms of self-portraiture.  While the color and black and white prints allude to precious metals, these works also point to Nogle’s interest in temporality in art as first evidenced in her 2011 installation Floral Entry for Gallery at Clifton Benevento as part of 3348 hours of Sunshine. Indicative of age and loss, the color of hair fades from gold to gray: the end is near; for Nogle, the site of viewing art represents the end of her production phase and the loss of the project at the moment of exhibition.

D’Ette Nogle was born in La Mirada, CA in 1974 and received her MFA from the University of California, Los Angeles. She has been featured in solo exhibitions at Parker Jones, Room Gallery and L.A.C.E (all Los Angeles), and group shows at Clifton Benevento, Romer Young Gallery (San Francisco), Circus and David Salow Gallery (both Los Angeles). Her work is currently featured in Made in L.A. at The Hammer Museum. She lives and works in Los Angeles.

The exhibition will run from June 23 – August 4, 2012; opening reception is Saturday, June 23 from 5-7pm. The gallery is located at 515 Broadway, New York, NY.  Tue-Sat,11am – 6pm.  For more information please contact Michael at mc@cliftonbenevento.com.

Brienne Walsh, “ D’Ette Nogle, Clifton Benevento”. Art in America. October 2012, p.177.
PDF OF REVIEW